nalytical study of some of the automated literature of Aydin Naviz Oran Dr. Shaima Al-Shahat Omara Turkish music is a mixture of diverse cultures that is due to its distinguished geographical location, which has the merit in forming its own identity, which combines the oriental spirit mixed with the western character as well as its folk music as it enjoys a unique cultural richness of its kind. Turkey is a name that has been termed some geographical variant to denote Ali the Ottoman Kingdom, or as it was called (the Mahrous Mamluk) and the Turks, one of the most ancient nations and a people of the Tatars. As for their lineage, most historians of the Franks and Arabs have agreed that they are the children of O Fat Bin Noah. The musical takht in Turkish is similar to the Arabic takht, as the instruments used in the Turkish takht are the same as those used in the Arabic takht, where we find the oud, flute, qanun, violin, parchment, and the Constantinian oud, and the Turks also use the bouzouki, which is commonly used in Syria, but Turkey is unique in using the tanboor instrument. . The Turkish Music Library is rich in the instrumental and lyrical works of the pioneers of classical oriental music who have influenced Turkish music with many varied and instrumental compositions, such as Al-Basharf, Sama'at, Sirtu, Longa, Polka, Medhal and other types of instrument templates. Aydin Naviz Oran is considered one of the most prominent pioneers. The classical Turkish composer who excelled in drafting the instrumentally composed melody and has many instrumental compositions such as the bisharf, the samma'at, the longjat and other instrumental compositions. Research problem: The researcher noticed, through her teaching of Arabic music subjects at the BA stage, that there are many Turkish compositions that are included in the teaching of some subjects of Arab music, such as the god of the lute and law, as well as analysis and other branches of Arab music, which dealt with many Turkish composers and composers, and from here the researcher noticed that he did not Aydin Naviz Oran, who is one of the pioneers of composing in Turkish music and has many works in Turkish robotic molds such as saz Sami, longja and medhal, is discussed and benefited from the special instrumental works, and the medhal template is one of the automatic molds not used in Arabic music, so the researcher will In recognizing the style of Aydin Naviz Oran, by analyzing his automatic compositions, including the medulla template, to identify a technique in melodic transitions and tonal transitions. research importance : The importance of this research stems from the importance of studying Turkish tunes due to their connection with Arab musical culture, as well as the importance of Aydin Naviz Oran's compositions, and to benefit from them in teaching Arabic music subjects, and in turn, Arabic music professors can use them in methods of playing, analysis and composition, and by studying such compositions, the student benefits from the works of Ancient and contemporary influenced the musical field. research aims: 1. . Learn about the instrumental templates used in Turkish music. 2. Learn about Aydin Naviz Oran's style in melodic transitions and tonal transitions. Research questions : 1. What are the instrumental forms used in Turkish music? 2. What is Aydin Naviz Oran's style of melodic transitions and tonal transitions? Search procedures : First: Research Methodology: In this study, the researcher used the descriptive-analytical approach (content analysis). Second: Research tools: 1. Music blogging. 2. Audio recordings. Research Limits: 1. Temporal limits: the period of the second half of the twentieth century. 2. Spatial boundaries: Turkey. Fourth: Research Sample: - Beyati saz semai - Garcigar Longa - Hussam Medhal