The method of formulating Kamal Al-Taweel in the religious poem of um Kulthum and benefiting from it in teaching some Arabic music courses *Amira Mohammed Abdul Aziz The colors of Arabic music, whether mechanical or lyrical, are characterized by melodic richness, which can be addressed by analysis and study, including lyrical poems, which many Egyptian composers were interested in, including Abu Al-Ela Muhammad, Muhammad Al-Qasabji, Muhammad Abdul Wahab, Riyad Al-Sunbati and Kamal Al-Taweel, and both of them laid the foundations and rules in composing and singing, and this appears in the formulation of musical introductions and intervals and also in the use of various musical instruments. Kamal Al-Taweel composed in various lyrical templates, including religious and emotional, and for many singers, including um Kulthum, Abdel Halim Hafez, Najah, Fayza Ahmed, and dealt with many maqam transitions that can be used in teaching the taste of Arabic music, which is useful in analyzing Arab music. After presenting the problem of the research, its importance, objectives and terminology, the researcher dealt with the theoretical framework of the research, where she dealt with religious songs, the lyrical poem, the objectives of tasting Arab music, and the biography of Kamal Al-Taweel, and then the applied framework was presented, where the researcher made an analytical study of the selected sample of the religious poem of Kamal Al-Taweel and made a comparison of the drafting method of the two works. The researcher also developed a set of exercises deduced from the two works that benefit the student in tasting some of the maqamat that are useful in the student's taste for some Maqamat that also benefits from it in improving the level of academic achievement of the Arabic music analysis course, and the researcher also conducted a survey of special experts in the extrapolated exercises. Then she presented the results of the research, the recommendations, the summary of the research and the references.