An analytical study of the midhal template in Maqam al-Nahawand according to Hussein Hosni Austin H. Hüsnü Üstün) and Alaeddin Yavaşca And benefiting from it in Arabic music composition The Arabic and Turkish music library is considered rich in instrumental and lyrical compositions by many of the pioneers of Arabic and Turkish composition. Despite the fusion of the Arabic and Turkish cultures in many of the concepts, words and expressions that are used to this day in Arabic works, each culture has preserved its own musical identity. In terms of names, theories, musical concepts, musical style, melodic cells, maqams, beats, rhythms, and instrumental and lyrical templates used in Arabic and Turkish music, such as samayat, basharf, and lungas. As for the Turkish instrumental medhal template, it has not been discussed and has not been used in Arabic instrumental music. . Therefore, the researcher decided to shed light on the style of H. H. Hüsnü Üstün and Alaeddin Yavaşca, the most prominent pioneers in composing the midhall form in Turkish music, and how to benefit from their style in Arabic composition and enrich the Arabic music library with this form. The researcher addressed the research problem, objectives, importance, questions, and research procedures The researcher discussed the results of the research and recommendations through the analytical and instrumental study of the selected sample of the midhal template in Maqam al-Nahawand performed by both H. Hüsnü Üstün and Alaeddin Yavaşca in composing this template. The researcher will try to achieve the research objectives mentioned and suggest various aspects that we can benefit from in this field. After that, the researcher concludes her study with a list of sources and references that were relied upon to complete this study. The researcher recommends including the works of H. Hüsnü Üstün and Alaeddin Yavaşca in the Arabic music curricula for undergraduate and postgraduate students and urging researchers to Authorship for this middlehall template