In recent decades, visual arts have undergone a radical transformation driven by rapid technological advancement. Technological media in its various forms has become one of the fundamental pillars in the practices of contemporary artists. Artistic work is no longer confined to traditional materials or classical methods; rather, it increasingly relies on innovative tools and techniques such as digital art, light, movement, and industrial waste materials like metals, gears, and wires. Painting is among the most prominent fields affected by this transformation. Technological media has contributed to broadening the scope of artistic expression and reshaping the formal and aesthetic values of artwork, offering artists new opportunities for experimentation and interaction with their surrounding environments. The canvas is no longer limited to a two-dimensional surface; instead, it has become a dynamic space where the visual and the material, the static and the moving, the technical and the emotional converge. From this standpoint, this study aims to explore the dimensions of employing technological media in contemporary painting, and to analyze its role in achieving aesthetic and expressive values, through understanding the conceptual and practical contexts from which these media emerge and their impact on the structure and expressive essence of the artwork.