Art plays a vital role in expressing the psychological suffering and social pressures facing working women. It is a safe and effective means of releasing pent-up emotions and embodying personal experiences through visual expression. This research aims to explore how psychological and social pressures are expressed as forms of violence against working women in contemporary societies, such as threats, insults, and belittling. It also uses printmaking as a visual means of expressing these pressures, drawing on feminist art. The research focuses on combining hand and digital printing techniques, along with the use of various materials and shaping the printed surface using unconventional elements such as thread, cardboard, zippers, and tree trunks, as well as performance techniques such as burning, embossing, adding, fragmentation, and tearing. The research addresses feminist philosophy, which places women at the center of the artistic experience and reinterprets the female body and its place in art from the perspective of pressure and emotion, challenging the traditional male gaze. The research seeks to analyze contemporary artistic models, in addition to producing experimental works that employ materials and symbols with psychological and physical significance, to express the suffering of working women from oppression, pressure, responsibility, and marginalization. The results demonstrate that contemporary printmaking, with its color, tactile, and structural techniques, is a rich visual medium for addressing women's issues and reconstructing the self through a balance between artistic expression, symbolism, material, and technology. Keywords: psychological stress, women, feminist philosophy, contemporary printmaking