This study aims to conduct further experimentation in the field of hand printing, using rust printing as a new entry that enriches the aesthetic values of the painting through color, texture, stent and technical to achieve artistic and aesthetic values derived from different scientific fields. The bad effect that rust stains have on textile surfaces can be something distinctive and unique, multicolored as a result of the different time period experienced by the surface of the rusty metal and on the surface of the woven through exposure to different degrees of moisture, which is inexpensive and does not need to be prepared in advance and has high stability degrees. Through various sources of creativity, whether from nature or the environment according to philosophical thought that made it its own character, where contemporary arts were interested in another type of beauty that deals with ugliness, and ugliness became one of the new concepts of aesthetic values and since art is a different form of expression from the artist's point of view, ugly in art becomes beautiful with its hidden meanings and symbolic characteristics. The importance of research in shedding light on rust printing as an experimental entry that enriches the field of hand printing, and addressing the ugly effect of rust to a beautiful effect containing many aesthetic and cosmetic values to enrich the natural surface in addition to stencil printing technique and performing techniques such as (wrinkles, addition,... etc.). The research follows the analytical descriptive approach in the theoretical framework, and the semi-experimental approach follows the practical aspect and includes an experiment on fourth grade students and includes two aspects: First: Benefiting from rust printing as a creative visual experimental input. Second: Achieving artistic and aesthetic values that enrich the natural surface. Keywords: Rust Printing - Experimentation