Abstract : This idea of research is expressed in my belief that it is necessary to search and excavate heritage Islamic books, especially those books that painters have been trying to adorn and illustrate with colorful miniatures, since reading these miniatures and extracting the images they contained about the life of peoples - religious, cultural, social, economic and political - is an important aspect of building Islamic civilization. This study explores one of the most important religious topics in Islamic miniature paintings. Where the Ottoman illustrated manuscripts provided us with a complete portrait of the manifesto, and the study deals with multiple depictions in order to illustrate this, all of which include a repetitive vocabulary, where the main figure is the preacher or speaker who is depicted as going up the pulpit, and the secondary figures are the words men who listen to it, These miniatures convey to us a group of elements and artifacts that were associated with the mosque, which represents the environment of this event. The most important of them are the minbar, the mihrab, the minaret, the dome, the prayer rugs, the rosaries, the lamps, the candlesticks...etc.,These depictions also provided us with a clear picture of the costumes, clothes, headscarves of the worshipers, and other pictorial scenery. In addition, study depictions whose subjects represent "religious and social views of the Ottoman era and of Muslims in general form, by separating men and women during the sermons, in addition to the veils and veils worn by women in the mosque. In addition, various pictorial figures include children, men, elders, women, rich the poor, the Dervishes; It gives us a semblance of their insignificance. In conclusion, this study represents the visual tool for such a religious subject and its performance at an important historical time in the Islamic era. Key Words : Depictions, Ottoman Era, Pontifical speeches, prayer rugs, Body Language, Third Dimension.